Monday, January 27, 2020

A woman's singing voice is a revelation to me TB Berachot 24


Today’s daf TB Berachot 24 is most difficult for one who has modern sensitivities. Obviously, one should not recite the Shema in full view of nudity. The problem arises when the rabbis begin to define what constitutes a woman’s nudity.

Rabbi Yitzḥak stated: An exposed handbreadth in a woman constitutes nakedness. The Gemara asks: Regarding which halakha was this said? If you say that it comes to prohibit looking at an exposed handbreadth in her, didn’t Rav Sheshet say: Why did the verse enumerate “anklets and bracelets, rings, earrings and girdles” (Numbers 31:50), jewelry that is worn externally, over her clothing, e.g., bracelets, together with jewelry worn internally, beneath her clothing, near her nakedness, e.g., girdles? This was to tell you: Anyone who gazes upon a woman’s little finger is considered as if he gazed upon her naked genitals, for if his intentions are impure, it makes no difference where he looks or how much is exposed; even less than a handbreadth.

Along these lines, Rav Ḥisda said: Even a woman’s exposed leg is considered nakedness, as it is stated: “Uncover the leg and pass through the rivers” (Isaiah 47:2), and it is written in the following verse: “Your nakedness shall be revealed and your shame shall be seen” (Isaiah 47:3). Shmuel further stated: A woman’s singing voice is considered nakedness, which he derives from the praise accorded a woman’s voice, as it is stated: “Sweet is your voice and your countenance is alluring” (Song of Songs 2:14). Similarly, Rav Sheshet stated: Even a woman’s hair is considered nakedness, for it too is praised, as it is written: “Your hair is like a flock of goats, trailing down from Mount Gilead” (Song of Songs 4:1). (sefaria.com translation)

Tamar Ross Writes:

Were anyone to ask me, as a woman, for my opinion regarding this state of affairs, I would have to answer in all honesty that I find it very disturbing. Focusing so much attention on my body and its potential influence upon men’s consciousness bears very weighty cultural implications with regard to my freedom of movement, my self-image, and my general status in society. Therefore, were I to choose to approach this difficulty through the halakhic medium, on kol isha] means: to hear [generally], and is not [limited to] the matter of Qeri’at Shema10-the sense being, that a man ought to be careful insofar as possible to avoid listening to a woman’s voice altogether. But then he goes on to say that, since we are living among the Gentiles, which makes it is more difficult to be stringent as here there are women who sing in public places, one may be lenient when there is no alternative, and even allow a man to recite Shema (which requires special kavvanah-i.e., attentiveness; mental-spiritual focusing) while hearing the voice of a woman singing. R. Joseph Caro rules similarly in his wake.11
As against these positions, I might cite the view of Rabbi Moshe Feinstein, a 20th century posek, who ruled that “it is forbidden to read Shema while hearing the voice of a woman singing” and that, concerning this matter, “one may not draw any distinction between an Israelite woman and a Gentile.”12 To these I could add the opinion of R. Menahem ha-Meiri (13th century), who states that “it is forbidden at all times to look at her or to listen even to her this position, such poskim continue an already well established trend, as documented in the words of Meir Poppers in his well-known compendium, Hanhagot Tzaddikim-“He should refrain from listening to a woman’s singing voice, for a woman’s voice is ‘erva.”15 https://www.academia.edu/35661867/Tamar_Ross_The_Contribution_of_Feminism_to_Halakhic_Discussion_Kol_be-Isha_Erva_as_a_Test_Case_Emor_no._1_January_2010_37-69

You don’t have to be a woman to find this objectionable.
 This presents real challenges in real-life situations. Back in August 2018 dozens of religious IDF soldiers turned their backs to a female parachute instructor and refused to obey her orders. “Several dozen religiously observant soldiers training to be paratroopers turned their backs on a female instructor and refused to obey her orders, according to a tweet by the instructor’s mother, media personality, Shira Margalit.   “I could barely sleep last night, after a hard day in which I had to hear that my soldier daughter Noa, a parachute instructor, tells me that while demonstrating an exercise before 70 soldiers, 50 of them turned their backs on her because she is a woman!” Margalit tweeted.” https://www.haaretz.com/israel-news/.premium-religious-israeli-soldiers-turn-backs-on-female-parachute-instructor-1.6362040

 Because of the time element in studying daf yomi I can’t explore this issue to the fullest like I would want to. Nevertheless, I didn’t want to leave this issue on a negative note. I found this article “Singing is a Mitzvah” by Rebecca Teplow.

Rabbi Herzfeld’s article, “Kol Ishah” states that many rabbis including, Rabbi Yechiel Weinberg, Rabbi Moshe Lichtenstein and Rabbi David Bigman, agree that women may sing publicly. Many in our community have not adopted this view and run the risk of destroying our spiritual community if women are treated like Dinah and locked in a box. Rabbi Herzfeld writes: “If we deny the girls of our community the ability to express themselves through song, we run the very real risk of allowing them to be serenaded by an alternative influence.” Consider Neshama Carlebach’s recent announcement that she is “making aliyah to the Reform Movement.”
“Rabbi Herzfeld further points out that by not allowing women to sing, the Orthodox community is teaching men that girls “are such erotic creatures that it is impossible to have an encounter with them that is not erotic…We are in fact reinforcing the notion that our spiritual personality cannot rise above our physical nature.”
“After reading Rabbi Herzfeld’s article, my interest was sparked and I did some research. It seems that the word erva comes from the root ayin-raish-hey which means to uncover, bare oneself. The idea of revelation in this root seems to be more innocent than the Gemara’s later definition of erva as unchasteness or lewdness.
“Right now I choose to understand the idea of a woman’s voice as revelatory – innocent and chaste – and my songs as pronouncing the Jewish truth of holiness that is a part of our lives.” https://www.myjewishlearning.com/the-torch/singing-is-a-mitzvah/

I have listed the web sources I consulted so that you can follow those links to deepen your own study of this issue.


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